Southwes and the Thin Place

Southwes and the Thin Place

The creative art of Wes Walker

When did you first become interested in photography? I started shooting in 2011 when I worked at a camp in the mountains in New Mexico during the summer.

Were you self-taught or did you learn in school/from a mentor? My older brother was into photography first and he showed me a lot. My mom is also a painter and we grew up in a very creative environment. But I started to work and figure out my route and style after a few years of on the go learning.

How did you develop your style? I don't know exactly what to call my style. I love western life, and I love the outdoors, and especially love shooting in low light situations and seem to give photos a sense that they might be on another planet. Basically I want to create a world that is different from everything else you might see on social media, but is still real and out there somewhere.

What themes do you explore through your work? Western life, semi-adventure, and minimal landscape. I love strong colors, and it's one of the main things I look for when shooting.

How do you find and choose you subjects or locations? I actually shoot at a lot of the "hot-spots", but try to portray them in a different light. Other times I'm on a road trip and just find something I think looks cool and try to find a way to turn it into art.

What inspires your work? Music and God. I think music and visuals go hand and hand, that's why most favorite movies have good scores, why special memories trigger a certain song. There's a certain spiritualness to nature, when you're in it you can't exactly describe it. But certain places on earth feel "thin." Call it God, call it magic, call it a "thin place" it's a place that we feel is special and inspires us to be more than we currently are.

How do you compose an image? Do you go into the shoot with a specific shot in mind, or does the inspiration strike when you place your model in the setting? Rarely do I have a certain shot in mind. I could almost count on one hand the number of times I've dreamed up a shot, planned it, and then it has actually panned out. It's like expectations are predestined let-downs. When creating pieces that are just for me I go into it with an open eye. The opposite of a commissioned job.

What has been your biggest lesson learned through creating your art? That waiting is everything. I waited and worked through a desk job three years after college. Spending every weekend and all of my time shooting photos where ever I could. Then making the jump to a full-time creative...but then still wasn't getting to shoot the kind of content I wanted because that's not would pay the bills. It's a process, big time.

What do you hope your art says to people? That there's a world full of "thin places" for everyone to go find and make memories at. I hope it conveys emotion, no matter what kind.

Why did you choose your craft (photography)? I actually started as a sketch artist. Drawing anything I saw for years and years. I never really choose it, it chose me haha. I just wanted to do something more, try and capture the beauty and it found its way to me.

If you couldn’t be doing your craft, what would you do instead? More into music, I play a handful of instruments and have a dozen or so songs I need to try and develop but just not really the time right now. Or flipping houses, a different type of creativity.

Any favorite moments of your career so far? I stood at the base of Cerro Torre at night in March of 2019. I realized just how small I am. How millions of people have stood and seen this mountain. All the stories that have happened and mine is one of them. It was when I realized that I had to start developing my own story and stop doing what everyone else was doing.

Is there a defining moment in your career so far? Probably taking the jump from working for a company to working for myself. Being able to plan trips whenever I want and take them is incredible and opens a huge door to possibilities that just are not there otherwise.

Is there anything you really enjoy in your craft vs another line of work? I love editing. But it truly depends on the content. I used to edit for the company I worked for and would've never made it through if The Office wasn't on full blast in the background. Now I edit my own content and it's light jazz that's in the background. 

Biggest pet peeve about the industry? Companies wanting creatives to work for comps and free goods. I get it, I've done it. On both ends. I would save the free stuff and comps for influencers and actually pay your creatives and photographers. They are creating viable content that is going to drive marketing, something most influencers would never begin to do.

Is flannel really always appropriate? Cabins. With pancakes. To impress the country girl I have a crush on. All appropriate occasions.

Stories Within Squares- Vintage Giggles

STORIES WITHIN SQUARES

QUILT MAKER VINTAGE GIGGLES

“We make quilts, but we also write the stories of people’s lives within those squares.” Located down in Miami, Florida, Rebecca Lambert shares the heart behind Vintage Giggles and what being a maker means to her.

What is your business? We make quilts from personal items that carry a lot of significance to people.  Basically, people call on us when they want to clear out storage bins of unused, but significant pieces of clothing or linens.  Instead of taking up space in the attic, unseen, their items that hold memories can now be seen and used everyday.  Most commonly, we work with collections of outgrown children's clothes, an eclectic collection of t shirts, select items from a loved one's wardrobe who has passed away, a combination of items from multi-generations of family members, wedding party attire, and even grandma's crocheted doilies.  You name it, we quilt it.   

Did you come from the corporate world? Were you always a maker? My background is education.  My degree is in elementary education.  I taught fourth grade for two years before handing in my resignation and looking for ways outside the walls to teach and inspire people.

Tell us about your process to becoming a maker. It started with my mother always telling me that a man should have a toolbox and a woman should have a sewing machine.  I never understood.  I could buy anything I needed, so why should I make it?  Until one day, when I needed a gift and no store had what I had in mind.  So, because my mom won the battle of me owning a sewing machine, I was able to make that gift. Not knowing how to sew, I literally lost sleep trying to figure out how to sew squares together, maneuvering around corners and how to put an edge on a finished quilt. What way did I need to fold the fabric?  How did I need to cut the pieces?  How do I cut fabric? I needed to figure it out myself.  My own stubbornness held me from learning in conventional ways.  I didn't want to be told how to do it, I just had to try. And it was so much fun, that I made a lot of things for that gift.  And I am still making those things that I gave as a gift that day. 

Why are you still a maker? I am still a maker because of the happiness it makes people feel when they receive what I make. To give someone a tangible way to hold memories in their hands is something that I will never tire of making.  

Is this your main job? Yes, second only to raising our family of six kids.  

Tell us about your creative process and the evolution of that process as you've perfect your craft and as you've grown as a business. Listening is the biggest part of our creative process.  Reading people's handwritten stories pinned to articles of clothing that hold their memories, hearing the trembling in a voice on the phone telling us they don't know how many more days their loved one will have to live, reading descriptions of siblings' bubbly and artistic personalities, holding the fabrics that memories were made in is where it all starts for us.  We make quilts, but we also write the stories of people's lives within those squares.  And so, we don't operate under strict rules.  Rather, we let what is important to each customer lead us.  

What inspires you? Colors and stories.  Colors inspire us as if each one carries it's own frequency, creating visual melodies and harmonies when they are combined.  And stories of families, generations and heritages sit cozy in our hearts, surfacing as squares of colors that become a quilt.

Who inspires you? Anyone with a story to share stirs our hearts. Nostalgic stories about traditions laid forth by grandparents, love stories that celebrate the little things, stories of loss and the seemingly insatiable heartache it leaves, sporty stories of athletic achievements, childhood stories of our own fast growing children, or stories of our childhood, as told by the worn thin knees of a bell bottom pair of corduroys and a matching peter pan collared polyester knit striped shirt. It all matters.

Who are your role models? Our role models are people who have not missed the opportunity to take a chance.  To see a person with a passion so big that they take a leap and put it into action, not knowing if it will work or not, will always be the people we look up to.  

Who has been your biggest champion as you've progressed as being a maker? My family.  My husband's continued encouragement and belief in this little company that I started has carried me through times in which I didn't know if I had what it took to make it through.  He leads me when I get stuck, and helps me handle it when the workload is high, easing my fears and building my determination. And my kids.  They see me working when the first wake, and they know that after tucking them in bed at night, I will probably go to my studio to finish the day's work.  They look at and point out their favorite squares as the quilts come together.  They know that they can do hard things because they see me pushing through, when it would be easier to give up.  And to be able to teach them that, by example, makes them champions.

How have you grown your business? Social media has been the biggest community in which my company has grown.  The platform it gives to share pictures and stories is such a beautiful way to show what we do.  Word of mouth and charitable offerings have also increased awareness of what we do.  And from a phone call to a dear friend of mind that started out something like, "you won't believe it, but I started a company!", she has believed in what we do, owns one of the first quilts we made and has shared our work on her social media platform, and organically becoming one of the biggest influencers and advocates for my company.

How have you perfected what you make? Time and practice.  Over time, our methods have become more streamlined, and through practice, we are able to take on challenges with the confidence that what we make is quality and has the durability to last for generations to come. 

Has this growth been easy? Easy, hell no.  Because it has required a lot of patience.  Patience when poor decisions have been made. Patience to perfect our sewing.  Patience to learn how to operate the machinery.  Patience for sales to be made.  Patience for people to like our product and believe in what we do.  Patience when life happens and time does not allow for the focus that the business needed.  Patience to find a like minded team who doesn't just sew, but works from the heart.  But, the one saving grace is that from the beginning, we allowed the company's growth to happen in it's own time, in God's time.  And so, the patience has been hard, but never stressful.  

What advice would you give based on your own experience? Slow and steady wins.  A shotgun start with record growth will tire soon.  Pumping funds into the hopes of a successful business may leave pockets empty.  Take baby steps. Small, but steady. Put love into what you do. And the results will speak for themselves.  

What are your goals as a business? Our biggest goal is to keep doing what we are doing, keeping the same attention to detail and methods of making as we continue to grow.  We will always be a team of makers that laugh and cry together as we create each quilt.  We will always put our hearts into what we do.

What does the future hold for you? We will always continue to create huggable memories through our heritage quilts. We also make a line of hooded towels with the same attention to detail as our quilts are made. In addition to that, who knows....we are always up for a challenge!

Give us three tips you've learned as a maker that can be applied to everyday life. When you come to a bump in the road, use it as an opportunity to increase your capability.  Always think positive by putting your mind on the results you are aspiring to achieve.  Gratitude keeps your success in check and ensures that your drive is coming from the heart.

How do you find the divide between work and personal? That's a million dollar question for me.  With four of the six kids at home with me, (now all day since the quarantine), a lot of my in home studio work is done in small segments of time when I see the opportunity.  It has taken me literally years to be able to do my work and be present for their needs as well.  But, on top of those stolen moments, it helps to keep to more of a rhythm than a schedule.  It's a rhythm where I know what parts of the day I can dedicate to each, but not so much of a rigid schedule, so that bumps and changes can be accommodated for more easily.  Being able to flow with the moment is key. 

Why should we support and buy maker and American made? Buying something from a maker gives you an item that is not as easy to come by, and it gives a maker the opportunity to keep creating something that is otherwise not available in mass.  And in today's world of tension and confusion, purchasing from a fellow American is a way to give a pat on the back to our struggling nation in hopes that the roots that made us will stay strong.

How do you ensure quality of your brand and your products? We have refined our methods to the point of confidence in our work.  Everything is looked over closely and pre-washed to ensure stability to be washed and used often!  

Is flannel always in season? Flannel is most definitely always in season.  Even in Florida.  In fact, anyone ever seen a good flamingo flannel?  Asking for a friend.  

How do you live authentically? Focus on what is important to you and not what the world says is important.  Let your inner passions and talents lead you, being mindful as to what influences your work.  

You can find Vintage Giggles products for purchase on their website or follow their work on Instagram. For custom requests contact threads@vintagegiggles.com.

A Trip to Hudson Woods

A dwelling nestled among the Catskill's.

A place where nature meets design.

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hudsonwoods.com @hudsonwoodsny

Dream of a place, a place where autumn lasts just a little bit longer. The season sets on early as the summer humidity lays in favor of crisp nights and fresh air. The feel that the eternal spirit of autumn is coming. Wildflowers fill the valleys and pastures of the mountain sides, the landscapes become washed with vibrant goldenrod, the deep reds of the Sumac trees, and the black eyed susans that pop up along the winding roadways. Autumn is coming to the Hudson Valley. Many of us have been waiting all year for the first signs of changing leaves, the first signs of apples ripening on the weather worn trees, and the first signs of the many festive weekends to come.

Long winding roads, the kind of roads that you took as a child…big bench back seat, sliding across the leather seats…legs too short to touch the floor. Windows down, the sun shining, the radio dial tuned in to Glen Miller. A Pontiac, a Ford, a 1941 Plymouth with that gas station sticker still in the window, a reminder of the leaner days. The spirit and the imagery is there, the narrative is universal. Autumn comes a little earlier in the Catskills, the Maples start to show their color round about the same time as the goldenrod hits peak color. The autumn lasts a little longer here too. The final colors of the season fade and fall as the frigid days sit in, as Christmas trees are chopped and laboriously tied to the roofs of cars or haphazardly tied in the back of old wooden bed pickup trucks.

Here the season is more than just the changing of the leaves and temperatures, it’s a way of life and a season that is prepared for all year. The mountains and their hollers and many cool spring fed lakes are filled with old fashioned boats and canoes and levity all summer long. Rich greens meet the rich browns and shadows of the forest floors. Autumn though, autumn is a sea of color, a warmth of the spirit, and the idea that nesting season is coming. Pumpkins are gathered, apples are picked, oh so many glorious apples are picked from the aged trees that cascade down the hills and dot the landscapes.

Short swim trunks and leather soled sandals are replaced with clothing designed and produced from nature’s bounty. The purity of the wools, flannels, and leathers bring a naturalness to the season and a knowledge that these timeless pieces were produced by the earth and crafted by the hands of man to created garments designed to cloak and shield man from the chill of the season.

The Catskills are a vast region that is filled with nature, endless nature, history, culture, a dynamic mix of people, and landscapes that invite you in and ask, if not implore you to explore.

That love of nature and upstate New York led us to Hudson Woods Hudson Woods has long been on our radar. Back a couple years ago Paige went for a visit on a frigid early December weekend. Since then we’ve been itching to go ourselves.

Hudson Woods is actually a residential community outside Kerhonkson, New York. The tag line is “where design meets nature” and it truly feels that way as soon as you enter the development. The property designed by Lang Architecture and Brick and Wonder is designed to be a weekend escape from New York city for those that love modern design and the sanctuary of nature. Over the past few years the show house has been used for countless photo shoots and architectural studies. The home is largely built and furnished with materials and goods from regional makers and craftsmen.

I wanted to start this Catskills travel guide series by sharing a few of my favorite images from the home. Our next piece in the series will be a conversation with Hort and Pott, the landscape design studio and shop in the nearby town of Oak Hill, New York.

The home itself is designed to be one of those that compliments the landscape and has a feel that says…. I coexist here, I am a part of this lands story, this land isn’t mine, but I am its. A simple timeless frame holds a home that is so well designed that you will feel an otherworldly experience just by touching the doorknobs.

Christy Jo Stone + Serving Southern Sweetness

CHRISTY JO STONE

the fruit tea chicks

The tiny town of Hartsville, Tennessee, and its surrounding countryside, with its rolling pastures, southern charm and small-town sensibility, provides the perfect palate for Christy Jo Stone to grow her businesses, raise her kids and serve up her signature blend of deliciously refreshing fruit tea. From her family’s farm outside of town, she has transformed a shed into a beautiful space for creating teas, hosting her annual Strawberry Patch Barn Sale and making plans for the future of the Fruit Tea Chicks.

I live in Hartsville, Tennessee, the same town where I was raised. Trousdale County is the smallest county in Tennessee. It’s predominately a farming community. Like so many others, I grew up in a broken home. My parents divorced when I was in the fourth grade, at which time we moved from Lafayette to Hartsville, which are about 15 miles apart.

Growing up in a small town, I never felt comfortable expressing myself and lived somewhat of a caged-up
life I guess you could say. I really didn’t recognize this until I got older (probably in college) and more in touch with my inner-self. In small towns, it’s not always easy to be “different.” In fact, it was frowned upon, so I chose to conform.

As I got into high school, I quickly realized if I ever wanted to unleash the beast within, I would have to get the heck outta dodge. So I did. I headed south to Ole’ Miss, which was not a good choice in terms of proper places to unleash the beast! It was one of the most uniform schools I have ever been to, with lots of old money, beautiful people and rich southern gals—none of which applied to me.

I left there after one-and-a-half years and transferred to the University of Tennessee-Knoxville, where I ended up getting my degree in psychology. While there, I had the opportunity to travel abroad to Australia, where I backpacked and lived in hostels for four months. I made this journey all alone, and it’s where my passion for handmade, color and pastry shops came alive. The inner beast was finally released!

In 2003, I became a stay-at-home mom and a member of the local garden club. Each month we had a potluck, and my “dish” was always my homemade fruit tea. The little old ladies would fluff me up about how good it was and make me feel proud of myself. I started with just a basic recipe, but before long, I was super-bored with it. I started tinkering with the recipe, adding fresh puréed fruits and such.

That worked on a small scale, but when I started the business, that recipe just didn’t work. I finally perfected my own unique recipe using fruit juices, concentrates and a few other specialty blends which have stood the test of time. It’s the one I hope to use until my tea-making days are over.

I used to journal and doodle a lot. About a year ago, I cleaned out my sewing room and found a journal entry dated June 2009. In it, I had written about my dreams to start my first Barn Sale—The Strawberry Patch—and how I wanted to sell my homemade fruit tea by the jug. I had forgotten I had a vision for my tea, way back when. All these fruit tea ideas finally came together in July 2016 when I did my very first show at Swanky Plank at Rippa Villa.

I’m completely self-taught with my own cooking. I grew up eating good-old southern food like pinto beans and cornbread, where the only seasoning used was salt, pepper and lard. Being a single mom with three kids going three directions, I never get enough time home to cook. I don’t like frozen or boxed dinners. I love food blogs and pics.

I’m not sure if it is because of the artfulness of the picture, the staging and styling of it or the beauty of the finished product itself. I’m fascinated by chefs and their ability to create a piece of art using food. I love cookbooks like “The Plantiful Table” and “Whole Food Energy.” I love the pictures in them just as much.

At the end of the day, I’m a single mom without any formal training who is chasing her dreams and doing the best she possibly can. My greatest dream is to deliver a creative product that people will want as a staple item in their pantry for years to come.

“I’m good at fruit tea—that about sums it up!”

Summertime Tea

Fresh berries for muddling (such as strawberries or blueberries)

Three parts fruit tea
One part gin
Thyme or rosemary for garnish

In a cocktail shaker, muddle your choice of fresh fruit. Pour in the fruit tea and gin then add ice and shake. Serve on or off the rocks and garnish with your choice of fresh herbs.

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A Tour of Village Common

 

VILLAGE COMMON

A PEEK INSIDE THE CATSKILLS SHOP

They're one of our favorite candle brands. We've known Ben and Blake of Village Common for years, long before they created their continually growing brand. Back in the fall we popped into their Catskill, New York shop to see the new space and to learn more about the brand and their journey into retail. 

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Who are you? The Village Common - Blake Hays and Ben Lebel

What is the story behind Village Commons? Beginning in 1968, and from where we get our name, the first Village Common opened its doors in Avenel, New Jersey. It was run by Grandma Bernadette, current owner Ben Lebel’s grandmother. In its first incarnation, Village Common was an antique store of carefully selected, fine pieces from all eras. Grandma Bernadette also had beautiful plants and flowers for sale on the front porch that always attracted passers by to stop in. 

In 1984, the Village Common moved to Stroudsburg, Pa., on the property of the Stroudsmoor Country Inn, and was re-imagined into a country store by Susan Lebel, Bernadette’s daughter and Ben’s mother. Antiques were still available alongside candles, soaps, homemade canned goods, and unique gift ideas. Susan has since blossomed this once country store into a thriving floral and decor studio. 

 From our southern roots, Billy Hays, current owner Blake Hays’ grandfather, opened his first country store in Pineville, Louisiana in 1960. It served as a vintage bodega; offering local produce and custom goods. Because of the construction of the new “American Highway”, Billy moved and opened his second store in 1978. This time offering mouth watering barbecue and other country store favorites. After years of serving his community, he decided to close the doors to his store. 

We bring to you a new installment of these family traditions blended together. Creating handmade, natural apothecary goods, kindled by their family history, we are continuing the legacy of the Village Common.

Why did you want to become a maker? I believe it’s just who we are and born to be. We were always making something as individuals and as partners. We saw the yearning for quality goods and something besides the mundane or what was available at every corner store. We wanted to create that for people. We also found a beautiful community of makers in the Hudson Valley and Catskill region of New York and wanted to contribute our skills and heritage to the movement. 

TO READ THE FULL STORY PICK UP A COPY OF FOLK SUMMER 2019 HERE

New England Colors; Kyle Finn Dempsey and the Art of Photographing Autumn

Photographer Kyle Finn Dempsey is one of the bests when it comes to documenting the changing colors of New England. We are continually inspired by his work. We sat down with him to learn more about shooting the best shots of autumn's many colors....

"Fall feels like a dream in New England. It's not about big grand views here, but about little nooks and crannies and a vast variety of colors."

My name is Kyle Finn Dempsey and I live in the hills of Western Massachusetts. I go by the name Huck because my best friend and I were (and still are) a modern day version of Tom Sawyer and Huck Finn. We've always called each other that, and if you spent an afternoon with us, wandering around the forest barefoot, it'd all start to make sense. I grew up along the Westfield river and and currently live in the same area. I will never let go of my spot, it's my zen and I plan to keep it in the family forever. 

Fall feels like a dream in New England. It's not about big grand views here, but about little nooks and crannies and a vast variety of colors. There's not many other places in the country (or world) that you can find so many different trees who's leaves change color at once. The colors I show in my photos are very real. Of course I put my own spin on them with my edits, but when you're on a fall drive here, you're going to see colors you won't believe. From rich golden yellows on the birch trees, bright red oak and swamp maple leafs, bright orange sugar maple, orange & gold beach leaves and everything in between. Sometimes the colors are so bright they look fake in person. It's seriously jaw dropping.

My favorite places to shoot in New England for the fall are southern Vermont and right near my house in western MA. Southern Vermont always turns about a month early, and is very swampy, so the colors are extremely rich and vibrant. All near me is small valleys and winding backroads, which are my absolute favorite places to explore and shoot. I love traditional New England fall scenes as well as finding new ways to share fall that not many people have seen. Each Northeast state has his own unique flavor to offer, along with classic scenes that come to find when you think of fall. If you want guaranteed color and good views, try the White Mountains in New Hampshire.

One of my favorite towns near me that celebrates fall very well is Ashfield, Ma. It's an incredibly quaint little town with a lake in the middle, a rope swing and a beach, a pizza shop and and an old fashion hardware store. There's always something going on, and in the fall, they have a fantastic little festival in the common lawn. Local crafts and garden vegetables, local music and everything else you can imagine that fits into a small town fairytale. The singer Ray LaMontagne actually has a home in Ashfield. It's one of Massachusetts biggest hidden gems. Keep that between you & I.

Peak season is generally right around mid October, though it depends on where you are and how the season is developing. In Southern Vermont, peak was probably October 5th. Here in Western Ma, we're just past peak, and its Oct. 22nd. I'm heading up to southern Maine tomorrow to stay in a tree house, and from what I've heard they are pretty much at peak.

I became a photographer when I was 19 or so. I used to rap and make music videos, and I got a camera so I could do all my own media by myself. I didn't seriously start shooting until I was a junior or senior in college. I'm 25 now, and I've been doing photography and video work full time for about 3 years.

Tips for capturing autumn- Check near swamps, rivers and ponds. Try shooting with a drone if possible to find unique formations from above and go places that no one knows about. Drive down backroads near water sources and see what you find. Some of the best colors happen in the places you least expect. Also, overcast and rainy days are will enhance the foliage by about 50%. Sometimes it looks like there's no color on a bright sunny day, and then the next day it rains, the colors shine bright and you're like "WHAT THE HELL HAPPENED!?"

— @KYLEFINNDEMPSEY