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Filtering by Tag: skin

Authentic Lives | Colby Keller

Ben Ashby

Not all creative endeavors involve making a product in the traditional sense. In fact, despite our capitalist mindset distracting us with wanting to know what we will get, sometimes our greatest reward from creatives is a new understanding of something abstract and pervasive. We spend a lot of time talking about things. Things made and things purchased. However, what about things given away and things experienced? For his upcoming artistic endeavor, our friend Colby Keller has decided to give away more than he receives. Giving away all of his earthly possessions in his exploration for a better understanding of something abstract we all share in common: sex. Sure, it’s a taboo concept, but one worth discussing more freely. Hear Colby’s thoughts on sex, earthly possessions, and more in his interview for Colby Does America.

INTERVIEW: HEATH STILTNER | PHOTOGRAPHY: WADLEY WADLEY

I love to travel and I love the United States. As a kid, we would camp at a different state park every weekend. When my former slumlord forced me out of my home in Baltimore last May, I couldn't afford to move to a new apartment. It didn't seem sensible to put my things in storage either. To cope with the emotional trauma I was experiencing at the time, I transformed my eviction into something positive. I decided to give away all of my belongings as part of an art piece. By the end of the project I was stripped bare, quite literally. Eyeglasses. . .shoes. . .clothes. . .computer. . .TV. . .phone. . .I gave everything away. A nod to "Debby Does Dallas", "Colby Does America" is an orgiastic response to the situation I currently find myself in: homeless and horny.

My hope is to learn what it means to truly be an American, from body to body, sea to shining sea. I don't mean to sound flippant. It's far too easy to be negative. I truly want the project to embrace diversity, both in terms of the subjects depicted and the methodology used to produce content. Shared effort and mutual respect are difficult concepts to fold into any creative endeavor. Good sex certainly requires both. I guess I'd like the project to eventually reach some sense of sex as creative metaphor.

I grew up in Texas. While Dubya did a lot of work to destroy the Lone Star State's reputation, it's a much more dynamic, engaging place than many think. It's also true that large parts of the state remain incredibly conservative, more so than I remember growing up. We fail to give credit where credit is due. Let's remember just how thoroughly corporate propaganda assaults us at every turn. It infects nearly all of our social and cultural institutions. The precious states in our fragile union that deserve the most significant change are also often the most stubbornly conservative. A "circle the wagons" mentality for an enemy that doesn't exist pervades all aspects of public life, aided no doubt by ill-intentioned fiscal interests. Fear rules the weak. Traveling the United States can be a sad, devastating experience without the right frame of reference. It's important to remember our history (nearly all of it sad and devastating) and to recognize the potential for good despite the prevalence of bad. It IS possible to work together and think outside the limiting prospect of "self-interest". In reality, it's in all of our self interests to work together and treat each other equally. The struggle to overcome division however, remains immense. There are a lot of interests at work preventing change from happening. Texas is a great example of this ideological stalemate.     

I can't really anticipate where I'll be when. Much of the work happens on the ground, once I reach a particular state. For that reason it's impossible to plan ahead. I think some people who'd like to participate in the project get frustrated with my inability to commit to an established schedule. I hate disappointing the people eager to help me realize this project, but I also enjoy unpredictability. Travel can be exhausting but in a good kind of way. It's exciting. I also have to give myself permission to have as much sex as possible–to get as kinky and creative as I can. Unfortunately, I still have a lot of shame about sex. Occasionally I find myself questioning the intensity of my sexual interest, a propensity that ultimately doesn't help the aim of the project (or my libido). Sex is powerful! Sex is fun! Sex is Good! Every human being is the product of a shared sexual moment, hopefully one that is enjoyed and consensual. The more work we do to promote a positive understanding of sex as mutually beneficial, the further we get in our ability to recognize the potential each of us has to create powerful, shared experiences together–sexual and otherwise.

Ultimately I think money poses the biggest challenge to the project. I would like to finish all 50 states and Canada too. In all honesty however, I'm certain the project will require additional funding to complete. Rest assured, I won't stop until my bank account is bone dry! 

I've experienced quite a few setbacks actually. It's taken me much longer to fulfill my IndyGogo obligations than I'd like. T-shirts are coming, I promise! Recently, a few social media platforms have also deleted my accounts. Instagram alone has deleted my accounts on three separate occasions! It's a sad reminder of how oppressive our culture truly is. We seem to have no problem endorsing violence and mutual destruction, but find it challenging to embrace desire and mutual pleasure. Everybody has genitals!! Is it really that scandalous? 

In terms of how Colby Does America might affect an audience, firstly, I hope that the individuals involved with each state's video enjoy the outcome and the process involved in making it. The project really is a shared endeavor. I hope the project eventually enfolds a diversity of potential viewing options as well: art to some, porn to others, serious at moments, silly and playful at others. I'd like to find as many ways as possible to tackle the question of sex as medium and as metaphor.

So far every state I've completed has presented its own unique rewards. While some state have certainly given me more frustration than others, I can't say I prefer one experience over another. They're all my favorites. That said, some videos might be more entertaining, or sexual, or engaging than others. It's hard to predict how viewers will process the end result but I certainly hope they discover something nearly as rewarding as my experience helping to create it.  

To learn more about Colby Keller and his current project, visit his blog at www.bigshoediaries.blogspot.com or www.colbydoesamerica.com and follow his travels on Instagram @colbydoesamerica.

Authentic Lives | Dusty St. Amand + Eric Pietrangolare

Ben Ashby

I have followed Dusty and Eric for some time. I absolutely love each of their photography styles and I was beyond excited when I found out these two New York based photographers are a couple. Recently I sat down with them to ask each of them about being photographers, being a couple, their dream cameras, and about their dream shoots. Lets begin with Eric...

Ben: Eric good afternoon! Tell us a little about yourself, what you do, and who are you.

Eric: I’m Eric, I’m 26 years old, originally from Queens, New York – I work in HR/Legal and I love Sailor Moon, photographing handsome men, gymnastics and being a hermit in our apartment.

Ben: Where do you and Dusty live?

Eric: We live in Bronx, New York.

Ben: How long have you been doing photography?

Eric: I started shooting my sophomore year of college in 2007 for my Art Education degree.

Ben: How long have you two been together and how did you meet?

Eric: 1 year as of February 17, 2015 – we met on a photo shoot of mine. Dusty, was modeling for this magazine feature I had gotten. Dusty was the kindest person I had met in such a long time and he just grabbed my attention as soon as I met him.


Ben: What is your photography "specialty"?

Eric: For me it’s more commercial/fashion. I consider my work marketable for brands and everyday people. I have always been more business minded and geared toward agency style work.

Ben: Who inspires you?

Eric: Before photography I was a fine artist and I have always liked pop-art. I don’t care for studio photography as much as I do for outdoors. A big open sunny space on the streets of NYC is the most inspiring thing for me, getting out in the elements is always a fun way to change it up and get a lot of character and story in your image.

Ben: What is your favorite shoot that you have done?

Eric: My favorite shoot was my shoot with Alex Minsky – He was someone I said I was going to shoot when he started to model a few years ago and randomly it just fell into place when I was out in California with some friends. It was also my first photo shoot outside of New York and to shoot such an amazing person with a great background story made me feel very accomplished.

Ben: What limitations or advantages are there with both of you being photographers?

Eric: Wardrobe! We both like to style our shoots in simple ways and Dusty always steals my clothes before I can use them! The advantage is having someone who has a completely different style/eye then my own to give me a new perspective or idea on what my ‘best’ shot is. Sometimes you get into a rut and keep shooting the same thing and picking the same style of image out of safety – it’s nice to have someone tell you something you wouldn't normally like or pick is actually your greatest shot.

Ben: What do each of you shoot with?

Eric: Cannon 60D – we share the camera!


Ben: What is your dream shoot:

Eric: Dream shoot would be to photograph an episode of America’s Next Top Model! ANTM was one of the first times I ever saw photography as an art-form in such a large perspective and I just loved seeing all these crazy styled photo shoots with some reality TV in the mix. I've seen every season, photographed some contestants and I also just love Tyra Banks.


Ben: What is your dream camera?

Eric: The technology isn't what's important to me. I like keeping it simple, the more advanced the camera is and the more buttons you fiddle with the less you tend to focus on your subject – you lose the connection if you’re too involved with your lights and cameras sometimes. There are tons of famous photographers who use point-and-shoots to make beautiful work because they are focusing on the moment and the special person they chose to work with.

A peak into Eric's photography is below. For more of his work visit his website.

Photo by: Dusty St. Amand

Photo by: Dusty St. Amand

 

I then asked Dusty the same series of questions.

Ben: Dusty how long have you been doing photography?

Dusty: About a year.

Ben: Wow you are quite accomplished for just having a year under your belt!

Ben: What is your specialty?

Dusty: I focus on sensual, male portraiture.

Ben: Who inspires you?

Dusty: I’m inspired by the voyeurism of social media. When we see the mundane or private moments of people across the planet, it helps us to feel like we’re not alone in our quirkiness.
 

Ben: What is your favorite shoot you've done?

Dusty: Since it’s what motivated me to start this venture into photography, capturing Eric at my old apartment in New Jersey would have to be my favorite. He’s such a sexy little thing.


Ben: What limitations or advantages are there with both of you being photographers?

Dusty: We use the same camera!

Ben: What is your dream shoot?  

Dusty: I aspire to capture really motivational and progressive leaders in their homes. Less for the photos and more so I can just pick their brains and watch them be human.
 

Ben: What is your dream camera?

Dusty: One that can retouch, email clients, and massage my neck. A few additional shots from Dusty are below. To see more of his work visit his website

Madden Gilhooly

Ben Ashby


"Being in the ocean makes me feel the closest to God."


I'm Madden. Living in Noosa, Queensland, Australia. This was taken at Alexandria Bay, Noosa National Park.
Instagram: @maddenyo